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• Stanley Simmons Announce Debut Album As New Single ‘Cellophane’ Reveals Psychedelic Direction
• Genesis Celebrate 40 Years Of Invisible Touch: The Pop Pivot That Redefined Their Global Reach
• Taylor Swift Releases ‘I Knew It, I Knew You’ As Toy Story 5 Soundtrack Debut
• Madonna Unveils ‘Love Sensation’ As Confessions II Campaign Reaches Times Square
• The Johnnys Map Out New Music And Archival Release As Graham Hood Reflects On The Band’s Next Chapter
• The Huxton Creepers Celebrate 40 Years Of 12 Days To Paris With Anniversary Reissue And National Tour
• Kaitlan Collins Is A Global “Rockstar” Thanks To Trump
• Evanescence Announce 2027 Australia And New Zealand Arena Tour
• Prince Timeless Opens The Vault With Unreleased Song Stone
• NOISE11 PREMIERE: Don Walker Premieres New Song ‘Breakfast In Paris’ Ahead Of Love Songs Album Release
• Ashley Naylor Spaceship Announces July Shows As ‘Racing Time’ Vinyl Release Expands Alexandria Sunset Campaign
• Michael Stipe And Andrew Watt Bring Rooster Theme Song To Jimmy Kimmel Live
• The Beatles To Release 4K Colourised ‘All You Need Is Love’ Performance For Global Beatles Day
• Core Festival Melbourne Debut Brings Honey Dijon, Moodymann And Mall Grab To Flemington
• Leaps And Bounds Music Festival Returns To Full Ten-Day Format In 2026
• http://www.noise11.com/interviews
• John Brewster Reflects On 50 Years Of The Angels And Their Debut Album
• Alex James Talks Blur, Oasis and Britpop Classical | Noise11
• Simone Waddell Talks New Album Unforgettable With Noise11
• Rose Carleo Discusses New Album 42 Days With Paul Cashmere | Noise11
• Vika & Linda Discuss New Album Where Do You Come From? | Noise11
• Rat Scabies Reflects On 50 Years Of The Damned And Brian James
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• AEG Presents To Take Over Emo’s Austin Space For New Austin Venue
• Streaming Services Overtake Radio In Australia As Music Discovery Moves Online
• Ben Folds Warns National Symphony Orchestra May Not Survive Kennedy Center Crisis
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