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• Marjane Satrapi, ‘Persepolis’ Author And Co-Director, Dies At 56
• RIP
• Netflix Orders ‘Dealies’ From ‘Common Side Effects,’ ‘Scavengers Reign’ Studio Green Street Pictures
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• Ryuya Suzuki Taught Himself Animation During Lockdown And In Just Five Years Premiered ‘Jinsei’ At Annecy
• Anime
• Italian Industry Rallies Around Zerocalcare, DogHead, Movimenti After Right-Wing Senator Offers His 2 Cents On Anonymous Labor Allegations
• Anime Icon Rintaro Revives A Lost Piece Of Japanese Cinema In ‘Nezumikozō Jirokichi’
• ‘Destiny’ Devs, Artists, And Fans Make One Last Wish As Bungie Ends Franchise Development
• DreamWorks Vet Liron Topaz Heads To Tribeca With His Indie Short ‘Saba,’ Turning Grief Into A Visually Stunning Tale Of Love And Loss (EXCLUSIVE TRAILER)
• You’re Invited To A Free ‘Stranger Things: Tales From ’85’ Reception, Screening, And Q&A
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• Psyop Brings 20 Independent Studios Together Under New Media Group
• Accidents Will Happen: Animators Talk Technical Failures, Bad Clients, And Creative Collapse
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• Rebecca Sugar Returns To SVA To Celebrate ‘Lonely Magic’ Music
• Sponsored by SVA
• Cartoon Forum Unveils 66 Animated Projects For Its 2026 Edition
• Stop-Motion Whiz Anna Mantzaris Returns To Short Filmmaking With ‘Please,’ Drops Trailer Ahead Of Zagreb Premiere (EXCLUSIVE)
• ‘Under The Lake,’ A Coen-Inspired, Dialogue-Free Thriller, Gets Trailer Ahead Of Tribeca World Premiere (EXCLUSIVE)
• ‘Warrior Cats’ Adaptation Lands Marvel Writer A.C. Bradley, Pixar Vet And Emmy-Winning Director Rodrigo Blaas
• Disney Signs On With New Kids-Focused YouTube Ad Platform Lumee
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• ESMA Joins Women In Animation As Global Fund Sponsor
• Raphael Bob-Waksberg On ‘Long Story Short,’ Satire Without Cynicism, And Giving Shows Time To Grow
• Netflix Animation Production Workers Ratify First Union Contract After Years Of Organizing
• Jorge Gutierrez Says He’s Dropping Out Of Amazon’s AI Animation Initiative
• GKIDS Revives Cult Anime Landmark ‘Adolescence Of Utena’ For Limited Theatrical Run
• Netflix Unveils Trailer For Handmade Mexican Stop-Motion Fantasy ‘I Am Frankelda’
• ‘We Need To Be Self-Reliant’: AnimaxFYB Founder Francis Y. Brown Reflects On The Ghanaian Studio’s First Decade
• ‘Good Advice Cupcake’ Creator Loryn Brantz Condemns BuzzFeed’s AI Animation Plans: ‘This Is An Assault On Artists Everywhere’
• Artificial Intelligence
• Amazon Unveils Its First GenAI Animation Projects, Including A New Series From Jorge Gutierrez
• ‘X-Men ’97’ Season 2 Gets Trailer, July Disney+ Release Date
• Vergine Keaton’s Cannes-Pitched Project ‘Bataille’ Explores War, Power, And Humanity Through Animated Renaissance Art
• ‘My Hero Academia,’ ‘Demon Slayer,’ ‘Lazarus’ Win Big At Crunchyroll’s Anime Awards
• Tracey Laguerre On ‘I Love You, Jocelyn’: ‘It’s A Magical Girl Who Lives Inside One Of My Grandma’s Caribbean Folktales’
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