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• Rachel Bruerville has just released her debut album of instrumental chamber music
• [...]
• Rochelle Ughetti is balancing audiology with professional violin
• In her new column, Katy Abbott shares strategies for a healthier arts career
• My biggest lessons from presenting 250+ works from the 21st Century
• In conversation with Nicholas McCarthy, left-handed pianist and champion of the repertoire
• [...]
• EVENTS // Richard Tognetti with the ANAM Orchestra
• EVENTS // Lutosławski Quartet Residency at ANAM
• EVENTS // ANAM musicians present Schubert Octet
• [...]
• Slava Grigoryan can’t get enough of this genre-busting piece
• Is perfectionism holding you back as an artist?
• Rubiks celebrates its 10-year milestone with new Australian music
• Help 700 students shape “the future of music in Victoria”
• Richard Bonynge Ensemble is connecting young artists with leaders in the field
• “Australians are actually some of the best classical musicians on Earth”
• [...]
• Baby’s Day Out at 30: Interview with Oscar-nominated composer Bruce Broughton
• Steven Isserlis on Shostakovich’s First Cello Concerto
• Why we’re travelling to Australia for the Melbourne International Chamber Music Competition
• How Julie Campiche made jazz harp “a thing” — and got the world listening
• LIVE REVIEW // Jeffrey hears Jupiter Ensemble at Princeton
• Fiachra Garvey is introducing 60 young musicians to the London Philharmonic Orchestra
• LIVE REVIEW // Jeffrey experiences
• “Being a composer is trusting your gut,” reckons Ego Plum (The Cuphead Show)
• Chanda Dancy explains how to compose an action-packed war film
• Australian arts industry must brace for future disaster impacts now
• ‘I can’t be friends with the machine’: What audio artists working in games think of AI
• What’s on in Melbourne this February and March
• Australian conductor Carolyn Watson on commissioning new music
• Maria Anna Mozart was a musical prodigy overshadowed by her brother. A new documentary tells her story
• 4 concerts to check out in Melbourne this November
• What’s behind the spate of arts leadership departures in Australia? Perhaps a mismatch of values
• EVENTS // The Big Idea – 10 years of Rubiks Collective
• EVENTS // Support MYO’s Big Busk 2025
• EVENTS // Chopin: A Stranger in Paris with Emmanuel Despax and Richard Bonynge Ensemble
• Your guide to live music in Melbourne this August and September
• These 11 composers are sharing in $82k worth of funding to make new music
• Get your fix of chamber music, dance, and “risk-taking” percussion this June
• LIVE REVIEW // Jeffrey hears Cécile McLorin Salvant at Princeton
• LIVE REVIEW // Jeffrey listens to “glorious soprano” Golda Schultz
• LIVE REVIEW // Miranda hears Academy of St Martin in the Fields @ Sydney Opera House
• LIVE REVIEW // Wendy hears Jazz at Lincoln Centre Orchestra led by Wynton Marsalis

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