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• property: og:description content: MovieMaker Magazine is the leading resource for interviews, behind-the-scenes movies stories, movie recommendations, festival coverage, and more.
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• A High School Heist and Meat Obsession Highlight NFMLA’s InFocus: Female Cinema
• Lauren Muniz
• 12 Great Movies of 1984, a Massive Year for Blockbusters
• Chris Morgan
• 12 Old SNL Sketches They Wouldn’t Do Today
• Gallery
• All 8 John Hughes Movies Ranked From Worst to Best
• Anti-AI ‘We Were Here,’ Among Ouray International Film Festival Winners
• Tim Molloy
• Roadmap Writers Announces LGBTQ+ Pitch Fellowship Winners
• The 12 Funniest ’90s Comedies
• Donnie Darko 25th Anniversary Screening Among Waco Indie Highlights
• Good Not Nice: Milly Alcock and Craig Gillespie on Their Complicated Supergirl
• Cover Story
• Stranger Things VFX Supervisor Betsy Paterson on Amplifying the Imagination
• Interview
• Kitty Doris-Bates’ The Comeback Sets Are a Window into Valerie Cherish’s Neediness
• ‘All You Have Is Your Name’: Alexandria Stapleton on Directing Sean Combs: The Reckoning
• Task Production Designer Keith P. Cunningham on Designing a World That Doesn’t Feel Designed
• Wednesday Music Supervisors Jen Malone and Nicole Weisberg on Secrets and Surprises
• Racing Down the Yellow Brick Road to Wicked: One Wonderful Night    
• It: Welcome to Derry Production Designer Paul D. Austerberry on the Americana Detail of the Sets
• How Ted VFX Supervisor Blair Clark Makes You Forget Ted is Pretend
• How the Women Behind All Her Fault Exposed Unspoken Imbalances Between Husbands and Wives
• Necessary Excess: How Bob Shaw Presents The Gilded Age for Modern Eyes
• In Melissa Fisher’s ‘Inside These Walls,’ a Family Fights for Normalcy Despite Incarceration
• Tribeca Festival Condemns Palestinian Dog Jokes at Film Premiere
• Toronto, Fort Worth Among Top Winners at Global Production Awards
• Roadmap Writers Announces LGBTQ+ Pitch Fellowship
• Here’s the Single 4chan Image That Led to Backrooms Earning $118 Million and Counting
• More The Rundown
• Making
• Anna Kendrick Gets Honest; Paul Mescal Is Irish, Actually; Titanic Jack ‘Might’ve Lived’
• New Actor to Play Batman; Tom Brady is a Good Actor;
• AI Tom Hanks; RIP Cindy Williams; Rupert Grint Wants
• https://www.moviemaker.com/skinamarink-slamdance-nc-17-whisperer/
• Festivals
• The ATX TV Festival at 15: Inside Indie TV’s Challenges — and Opportunities
• TV Camp for Grown-Ups: ATX Co-Founders on Creating a Festival With a ‘Be Cool’ Policy
• Fright Night Anniversary Screening to Kick Off El Dorado Film Festival With Star William Ragsdale
• Amelie Director Jean-Pierre Jeunet on the Enduring Appeal of His Most Beloved Film
• Why Amy Winehouse’s Family Had No Control Over the Back to Black Biopic
• SCAD Lacoste Honors Miranda Richardson, Janty Yates, Sam Taylor-Johnson and Jean-Pierre Jeunet
• Interviews
• Fresh Kills Director Jennifer Esposito Mortgaged Her House for Her Mob-Family Directorial Debut
• Brian Wallach Got an ALS Diagnosis of 6 Months to Live — 7 Years Ago.
• The Black List Founder Franklin Leonard on AI, Transparency, and Knowing Your Favorite Films
• With
• Eli Roth Q&A on
• In
• Let Him Cook: Stephen Kay on Directing All of Landman Season 2
• He’s Got the Conch: Lord of the Flies Director Marc Munden on Bringing Order to Madness
• TIFF’s Margaret Lee Has Turned a Love of the Arts into Storytelling at Global Scale
• 5 Legendary Argentine Directors Who Pioneered Unconventional Storytelling
• In Hedda, Nia DaCosta and Tessa Thompson Reinvent Hedda Gabler as a Woman Dying to Live
• Chloe Zhao and the Cast of Hamnet Talk Grief and Dance Takes 
• From Script to Set: Jiayan He’s Cross-Cultural Role in Vertical Drama
• The Austin Film Festival’s 25 Screenwriters to Watch in 2026
• How Writer Dmytro Bielov Broke into Hollywood from a Country Under Attack
• The Precision of Storytelling: How Screenwriter Mashael Alqahtani Sets the Global Standard for Genre Cinema
• Austin Film Festival Screenwriters to Watch in 2025
• Ernest Anemone’s ‘Family Affair’ is a Queer Comic Short With Sitcom Overtones – Stay Tuned
• Global gambling insights
• Podcasts
• Industry and The Pitt Are Both Back This Weekend and It’s Our TV Barbenheimer
• Friendship Director Andrew DeYoung on His ‘Primal’ Comedy of Male Loneliness
• How Sew Torn Director Freddy MacDonald Made His Feature Debut at 24 — With Advice From Joel Coen
• Joe List on How Tom Dustin: Portrait of a Comedian Is a Love Letter — and Maybe an Intervention
• Let’s Talk Anora, the Righteous Gemstones, Mickey 17’s Somersaults, and Bad Moviegoers
• Biblical References to Homosexuality Are Mistranslations, New Documentary Contends
• Jili (Gigi) Chen: A Bilingual Producer Working Across Independent Film and Emerging Digital Formats
• Film Tourism in Malaysia: Iconic Locations That Are Becoming Cinematic Landmarks
• Era Isn’t Aesthetic, It’s Behavior: How Cheryl Wenjing Xia Designs Period Worlds That Actually Breathe
• Is Qatar Emerging as the Next Regional Media Powerhouse?
• The Northman & Beyond: Why Do Audiences Love Viking Films?
• Five Tremendous Sports Movies Based on True Stories
• Peeping Todd Director Josh Munds on Exposing the Pervert Musical for All to See
• Robert Pattinson Tries to Catch a Predator as Chris Hansen in Primetime Trailer (Video)
• 8 NFMLA Moviemakers on Their Journey to Sundance
• Disclosure Day Writer Says ‘Religion Is an Important Part’ of New Spielberg Tale
• 12
• In ‘Sleepeater,’ Two Women Reject the Caretaker Role — and Take Dad’s House Instead
• Films at Any Budget
• Making Micro Budget, Our Mockumentary About Indie Filmmaking, on a Micro Budget
• Filming “The Perfect Place to Cry” in One Day Felt Like a Dream, Thanks to Good Friends and Intuition
• Making Pilgrim for $5,000 Was a Family Affair
• Coming of Rage: How We Made Our Crime Comedy American Meltdown for $75,000
• How We Made Our Michael Bay-Inspired Short Film ‘The Pickup’ for Just $6,000
• How Vera Drew Made The People’s Joker With Her Own Money — But No Budget
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• 2018 Guide to Making Horror Movies
• 2017 Guide to Making Horror Movies
• 2016 Guide to Making Horror Movies
• Guide to Smartphone Moviemaking

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