aria-art. ru - a portal about painting, literature and culture from the pastHere it is, a site that doesn’t just show pictures or articles - it seems to invite you to old albums, to books ...
Here it is, a site that doesn’t just show pictures or articles - it seems to invite you to old albums, to books with tattered covers. No, of course, this is not a blog of one artist or even a museum catalogue. It's something more.
Everything is different here: every day is a new story. Not a quick look, it’s interesting, but almost a memory. It seems as if someone copied Murzilka or Miracles and Adventures from the magazines, found an old issue of Children's Literature in the basement and decided: Why not tell the world?
Let's start with the fact that it's not just painting. Where a painting is not only a brush on a canvas, there is also the breath of the era. There are people who wrote about Andryusha and Kiryusha, about Simpleton Jack, about Vasyutkino Lake. And then - drawings. All these are separate pages of time.
Someone might say: well, an ordinary archive. But no. This is not just a collection. There is a sense of personality here. It’s as if the author himself is experiencing the moment when he saw this picture in childhood, remembered the title of the book, knows exactly what was published in 1968. As if he was nearby when I. Kabakov made drawings for E. Kotlyar.
Interesting, isn't it? Why were these particular works chosen? The answer is simple - they are important. They are not only beautiful. They are part of the culture. Even if now no one remembers what the bronze sailors looked like, or what Niko Pirosmanashvili’s Deer is famous for, but all this is preserved here. As if someone said: As long as we remember, the world is alive.
There are even topics that are not related to specific books at all. For example, the Appian Way in painting and literature. This is not just a street! This is a symbol of the path. Or the Sacrifice of Abraham - there is already serious work on the meaning. The deeper you look, the more you understand: the site is not for those who want to quickly look and leave.
The names appear here: V. Orlov, A. Morozov, Niko Pirosmanashvili, V. Berestov. All are artists, writers, researchers. But the main thing is not the names themselves. The main thing is that they did not work yesterday. Not today. And in 1964, 1970, 1981. That is, the site talks about the past, but does it without melancholy. Without nostalgia, which creeps out too clearly. There is no pathos here, just facts and attention to detail.
An interesting point: almost all the works are from the same series - Window to a Vanished World. Velikie Luki. It seems as if Valery Orlov (or his name) has become a guide through old photographs, drawings, city landscapes. It shows what Kholmskaya Street looked like, how the Pokrovsk Church stood, where the Ryabiks lived. This is not just an archive. This is memory recovery.
And there is also a date for the last update - January 11, 2025. And after that - the year 2024, then 2023.It’s as if someone systematically collects everything by year, looking at what was published, when, in what book, and why it is worth preserving.
Why is this important? Because now almost no one thinks about what the world was like 50 years ago. But here - yes. Here you can see what the building looked like in 1864, or how the artist painted Nesterov in Abramtsevo. This is not just an archive. This is an attempt to preserve something that may disappear without a trace.
This is a site where old literary and artistic works are collected - drawings, publications, books. It doesn’t just show pictures, but tells the story of each object. The detail, the era, the author are important here.
The article is dedicated to the book by E. Kotlyar, which was published in Moscow in 1976. The drawings for it were made by I. Kabakov, a famous Soviet artist. The text describes the contents of the book and its cultural significance.
Valery Orlov is one of the main authors whose works are presented on the site. He wrote several articles about Velikiye Luki, including the Church of the Intercession, There, Behind the Bridge, Bogdanovskoye and others. His materials were published in the Window to a Vanished World series. These texts are like documents of time.
The site contains a mention of an article by Niko Pirosmanashvili entitled Deer, which was published in the magazine Murzilka 6 for 1990. The journal itself is not available here, but the fact of publication is indicated, which allows you to track the source.
This is a topic that examines historical images, in particular the image of Attila, a barbarian leader who was depicted by Eugene Delacroix. The site analyzes how the artist conveyed the spirit of the era through painting, and what literary sources could have influenced these works.
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