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• name: description content: We’re a free and open platform for theatremakers worldwide. We amplify progressive, disruptive ideas about theatre and facilitate connection between diverse practitioners. We function as a “commons”—a social structure that invites open participation around shared values. All of the content (essays, videos, podcasts) on HowlRound comes from the theatre community who chooses to participate—that means you!
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• property: og:title content: Welcome to HowlRound
• property: og:description content: We’re a free and open platform for theatremakers worldwide. We amplify progressive, disruptive ideas about theatre and facilitate connection between diverse practitioners. We function as a “commons”—a social structure that invites open participation around shared values. All of the content (essays, videos, podcasts) on HowlRound comes from the theatre community who chooses to participate—that means you!
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• name: twitter:title content: Welcome to HowlRound
• name: twitter:description content: We’re a free and open platform for theatremakers worldwide. We amplify progressive, disruptive ideas about theatre and facilitate connection between diverse practitioners. We function as a “commons”—a social structure that invites open participation around shared values. All of the content (essays, videos, podcasts) on HowlRound comes from the theatre community who chooses to participate—that means you!
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• More about HowlRound
• Under the Radar Symposium 2026 
• Artists Lead the Way at the 2026 Under the Radar Symposium
• Ashley Malafronte
• What Makes a Theatre an “Apartheid Free Zone”?
• Theater Workers for a Ceasefire
• Maria Aparo
• Sulu LeoNimm
• Liz Duran Boubion
• Our Theatres Are Facing Backlash. Here Are Ten Ways to Respond.
• Mariló Núñez
• Marlis Schweitzer
• The Wild Provocations of Poland's Divine Comedy Festival
• John Vreeke
• I Don't Know How They Do It!
• I Don’t Know How She Hosts Lunar New Year During a Rehearsal Week
• Artist Caregiver
• Did Hungarian Theatre Kids Just Change the World?
• Todd London
• Arts Curators Reaching Back, Carrying Forward
• Martine Dennewald
• A Sojourner Speaks
• Daniel Alexander Jones
• Time Is Dramatic
• Shayok Misha Chowdhury
• View more essays
• Kunafa and Shay
• New Threads, New Forms: MENA/SWANA Dramaturgy and Development
• Nabra Nelson
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• Evren Odcikin
• Gender Euphoria
• LOUD Queer Youth Theatre: Sustaining Youth-Led, Adult-Supported Arts Community
• Nicolas Shannon Savard
• Keyshia Pearl
• Roney Jones
• Reclaiming the Narrative: The MENA Theatre Artists’ Bill of Rights
• Golden Thread at Thirty: Looking Beyond 2026
• The Queer Art Making the Florida Governor Shake in His Lifted Boots
• Saylor Lake
• Ciara Hannon
• Inside the ReOrient Festival: Short Plays and Long-Term Impact
• Nora el Samahy
• The Trans History Project: A Cohort of Playwrights and Theatres
• Bo Frazier
• Centering Women and Palestinian Solidarity at Golden Thread
• The Trans History Project: Ten Plays in Development
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• Stages of Change: Empowering Artists Through Embodied Practice
• La MaMa Experimental Theatre Club
• The State of BIPOC Theatre
• ArtsBoston
• Marius von Mayenburg, Germany
• Martin E. Segal Theatre Center
• A Conversation with Normandy Sherwood
• An Introduction to Applied Playwriting
• Book Launch for
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• A Conversation with Susan Bernfield
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• Gilder-Coigney International Theatre Forum
• New Perspectives Theatre Company
• Exercises on Intention
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• Notes from the Field: A Frank Conversation on Pay Equity in the American Theatre
• The Alliance of Resident Theatres/New York
• Design (in a Time of Reckoning)
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• Genevieve Beller
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• How Labor Law Can Support Equity in Theatre
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• Why Canceling a Conference Isn't Crossing the Line
• Cason Murphy
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• That Which We Call a Struggle: A Response to Ife Olujobi’s “$5000”
• Front-of-House Workers Are Vital to the Function of a Theatre
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