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• http://www.everypainterpaintshimself.com/
• EPPH Principles
• Themes
• Artist as Animal
• Artists who painted themselves as Christ
• Artist as King
• Artist as Other Artist
• Artist as Poet
• Art On Stage
• Divine Artist
• Every Painter Paints Himself
• Music as Art
• Writers and Writing
• Androgyny
• Artist's Mind
• Conception (Sexual and Mental)
• Creative Struggle
• Executing Painting
• Frowns and Thoughts
• Letters in Art
• Mirrors
• Smoking Art
• State Honors
• Violence and Art
• Eyes at Bottom
• Behind the Artist's Eye
• Hand and Eye
• Insight-Outsight
• Artist with His Art
• Brush and Palette
• Portraiture
• Pointing and Touch
• Poses of Painting
• Swords/Weapons as Brushes
• Veiled Faces
• Visual Metamorphosis
• Inner Tradition
• Blog
• https://www.everypainterpaintshimself.com/museums
• Videos
• Essays
• Artists
• Galleries
• About EPPH
• EPPH Book
• Contact EPPH
• BACK TO TOP
• Is Beauty Truthful?
• A Surprising Revelation of Divinity in Art
• Why did Michelangelo put his initial inside the Virgin’s hand?
• Artists paint themselves as God. Why has no-one noticed?
• Renoir’s Pont Neuf, Paris (1872)
• Lucian Freud’s Annabel (1975)
• Rembrandt’s Man Making Water (1631) and Woman Making Water and Defecating (1631)
• Miró‘s The Podiatrist (1901)
• Rouault’s Miserere: Eternally Scourged (1922)
• Titian’s Christ Blessing (c.1560)
• Mantegna’s Ecce Homo (c.1500)
• The tradition handed down by the Old Masters continues…….
• Basquiat’s Untitled (Call Girl) (1983)
• Basquiat’s Crowns (1981-2)
• Basquiat’s Boone (1983)
• Who better to learn from than a modern master?
• Picasso’s The Last Bull (1892)
• Picasso’s Seated Harlequin with Red Background (1905)
• Picasso’s Bust of a Man with a Cigarette (1964)
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