brightlightsfilm.com

Om projektet

Bright Lights Film Journal er en online publikation, der er specialiseret i anmeldelser og dybdegående analyser af film. Projektet positionerer sig som en ressource for dem, der er interesseret i både moderne nyheder og klassikere fra verdensbiografen. Sidens slogan taler direkte til dets mission: Popanmeldelser og dybdegående analyser af aktuelle og klassiske film fra hele verden. Dette er ikke bare et nyhedsfeed, men et sted, hvor film analyseres fra forskellige vinkler.

Webstedet har eksisteret i lang tid; den har været online siden 1996. Publikationen har sit eget ISSN (0147-4049), som bekræfter dens status som en almindelig trykt eller digital publikation. Designet og det visuelle overvåges af kunstneren Jim McDermott, og den tekniske side er leveret af BSA Shop, som tilbyder projektorer og skærme.

Vigtigste retninger

Webstedets indhold dækker en bred vifte af emner, men fokus forbliver altid på filmkunsten. Navigationen fremhæver tydeligt afsnit, der er dedikeret til forskellige roller i branchen:

• Filmfolk:Interviews med instruktører, skuespillere, filmfotografer, komponister, klippere og kritikere. Billedkunstnere fremhæves særskilt.
• Filmanalyse:anmeldelser af nye udgivelser, diskussioner om DVD og Blu-ray, nyheder fra festivaler og priser.
• Historie og arkiver:der er en sektion Issue Archive (nummerarkiv) og materialer om filmhistorie, herunder genoptryk af gamle essays.

Seneste publikationer viser opmærksomhed på komplekse emner. For eksempel diskuteres Boromczyks arbejde, som ofte undgås af kritikere på grund af dets atypiske karakter i moderne vækkelser. Der er analyser af klassikerne: Charlie Chaplin, Sam Peckinpah, Ingmar Bergman, Carl Theodor Dreyer. Forfatterne analyserer ikke kun plottet, men ideologien, moralen og de sociale problemer, der rejses i filmene - fra fascisme til kapitalismens krise.

Webstedets funktioner

Hovedtrækket ved Bright Lights Film Journal er dens dybde af fordybelse. Artiklerne er ofte essays eller uddrag fra bøger, såsom den nye Persistence of Vision: A Collection of Film Criticism, redigeret af Joseph McBride. Dette adskiller projektet fra almindelige blogs med korte anmeldelser.

Webstedet er ikke bange for kontroversielle emner. Teksterne rummer skarpe udsagn om politik, racisme, kønsidentitet og virksomhedskultur. For eksempel undersøger en artikel filmen som en kritik af penge og mesterfaderen på det frie marked, mens en anden analyserer strukturen af ​​ondskab i gyser som et systemisk problem frem for blot tilstedeværelsen af ​​et monster.

Interessant nok har siden en sektion med forbudte ord, som antyder strenge redaktionelle standarder og en specifik tilgang til sprog. Der er også mulighed for, at forfattere kan indsende deres materialer gennem retningslinjer for indsendelse.

Kontaktoplysninger

Links til kommunikation og samarbejde er tilgængelige på siden:

• Personale:oplysninger om teamet.
• Kontakt:formular eller data til kontakt.
• Annoncér med BLFJ:annonceringsbetingelser.
• Retningslinjer for indsendelse:regler for indsendelse af materialer.

E-mailadresse eller telefonnummer er ikke angivet i den angivne tekst, kun navigationslinks.

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• Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary
• The Last Airbender: The Most (Incomplete) Fantastic Journey
• Family Matters: Shared Space in the Films of Cédric Klapisch
• “If this doesn’t get ’em, nothing will”: Busby Berkeley and
• A Film Divided Against Itself: D. W. Griffith’s
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• Sacred Without Symbol: Walerian Borowczyk and the Canon’s Fear of the Erotic
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• https://brightlightsfilm.com/family-matters-shared-space-in-the-films-of-cedric-klapisch/#respond#disqus_thread
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• Exchange and Virulent Sacrality in Robert Bresson’s
• Class System
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• Kathryn Bigelow’s
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• Jane Palmer’s Gentle Anarchy:
• Screwball Comedy
• https://brightlightsfilm.com/jane-palmers-gentle-anarchy-lady-in-a-jam-1942-and-the-lost-liberty-of-screwball-comedy/#respond#disqus_thread
• The Deconstruction of Middle-Class Identity in
• Capitalism
• https://brightlightsfilm.com/the-deconstruction-of-middle-class-identity-in-planes-trains-and-automobiles/#respond#disqus_thread
• Predicting the Rise of Trump:
• Essays
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• https://brightlightsfilm.com/predicting-the-rise-of-trump-captain-america-civil-war-2016/#respond#disqus_thread
• Batman
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• https://brightlightsfilm.com/batman-reserves-burtons-sequel-as-anti-fed-allegory/#respond#disqus_thread
• The Work That Never Leaves: Labor as a Parasitic Presence in
• Brazilian Cinema
• Labor
• https://brightlightsfilm.com/the-work-that-never-leaves-labor-as-a-parasitic-presence-in-hard-work/#respond#disqus_thread
• Closing with the Past: Marco Bellocchio’s Cinema and the Movement of History
• Italian Cinema
• https://brightlightsfilm.com/closing-with-the-past-marco-bellocchios-cinema-and-the-movement-of-history/#respond#disqus_thread
• The Invisible Thread: Or How
• Mystery
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• “Was That Over the Top?” – Queerness and Madness in
• https://brightlightsfilm.com/was-that-over-the-top-queerness-and-madness-in-batman-forever-1995/#respond#disqus_thread
• The Kubrick Production: How Stanley Kubrick Stage-Managed Reality
• Cult Cinema
• https://brightlightsfilm.com/the-kubrick-production-how-stanley-kubrick-stage-managed-reality/#respond#disqus_thread
• Peckinpah’s Groundless Ground of Ethics in
• Men & Masculinity
• https://brightlightsfilm.com/peckinpahs-groundless-ground-of-ethics-in-the-wild-bunch/#respond#disqus_thread
• https://brightlightsfilm.com/threes-a-crowd-harry-langdon-and-the-poetics-of-fragility/
• Comics
• Philosophy
• https://brightlightsfilm.com/threes-a-crowd-harry-langdon-and-the-poetics-of-fragility/#respond#disqus_thread
• https://brightlightsfilm.com/one-battle-after-another-on-the-movie-the-critics-and-the-moment/
• Urban Conflict
• https://brightlightsfilm.com/one-battle-after-another-on-the-movie-the-critics-and-the-moment/#respond#disqus_thread
• Christian Culture in Scandinavian Cinema: On Dreyer, Bergman, and Dogme 95
• Christianity
• Religion & Spirituality
• Scandinavian Cinema
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• https://brightlightsfilm.com/trigger-warning-or-how-jessica-alba-stopped-worrying-and-learned-to-love-woke-imperialism/
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• The (Re)Turn: Vicious Retooling of Teenager Archetypes in the
• Surrealism
• https://brightlightsfilm.com/the-return-vicious-retooling-of-teenager-archetypes-in-the-twin-peaks-revival/#respond#disqus_thread
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• India
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• Postcolonial Melancholia in David Lean’s
• Colonialism
• Imperialism
• Melodrama
• https://brightlightsfilm.com/postcolonial-melancholia-in-david-leans-brief-encounter/#respond#disqus_thread
• Notes on
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