brightlightsfilm.com

O projektu

Bright Lights Film Journal je spletna publikacija, specializirana za ocene in poglobljene analize filmov. Projekt se postavlja kot vir za tiste, ki jih zanimajo tako sodobne novice kot klasike svetovne kinematografije. Slogan spletnega mesta neposredno govori o njegovem poslanstvu: Pop kritike in poglobljene analize aktualnih in klasičnih filmov z vsega sveta. To ni le vir novic, ampak mesto, kjer se filmi analizirajo iz različnih zornih kotov.

Spletno mesto obstaja že dolgo; na spletu je od leta 1996. Publikacija ima svoj ISSN (0147-4049), ki potrjuje njen status običajne tiskane ali digitalne publikacije. Za oblikovanje in vizualno podobo skrbi umetnik Jim McDermott, za tehnično plat pa BSA Shop, ki ponuja projektorje in platna.

Glavne usmeritve

Vsebina spletnega mesta pokriva širok spekter tem, vendar je poudarek vedno na filmski umetnosti. Navigacija jasno poudarja razdelke, namenjene različnim vlogam v industriji:

• Filmski ljudje:Intervjuji z režiserji, igralci, snemalci, skladatelji, montažerji in kritiki. Posebej so izpostavljeni vizualni umetniki.
• Filmska analitika:recenzije novih izdaj, razprave o DVD in Blu-ray, novice s festivalov in nagrade.
• Zgodovina in arhivi:obstaja razdelek Issue Archive (arhiv številk) in gradiva o zgodovini kinematografije, vključno s ponatisi starih esejev.

Zadnje publikacije kažejo pozornost na kompleksne teme. Obravnavano je na primer delo Boromczyka, ki se ga kritiki pogosto izogibajo zaradi njegove netipičnosti v sodobnih oživitvah. Obstajajo analize klasikov: Charlie Chaplin, Sam Peckinpah, Ingmar Bergman, Carl Theodor Dreyer. Avtorja ne analizirata le zapleta, temveč ideologijo, moralo in družbene probleme, ki jih odpirajo filmi - od fašizma do krize kapitalizma.

Funkcije spletnega mesta

Glavna značilnost revije Bright Lights Film Journal je njena globina poglobitve. Članki so pogosto eseji ali odlomki iz knjig, kot je nova Persistence of Vision: A Collection of Film Criticism, ki jo je uredil Joseph McBride. To razlikuje projekt od običajnih blogov s kratkimi pregledi.

Stran se ne boji kontroverznih tem. Besedila vsebujejo ostre izjave o politiki, rasizmu, spolni identiteti in korporativni kulturi. Na primer, en članek preučuje film kot kritiko denarja in glavnega očeta na prostem trgu, medtem ko drugi analizira strukturo zla v grozljivki kot sistemski problem in ne zgolj kot prisotnost pošasti.

Zanimivo je, da ima spletno mesto razdelek Prepovedane besede, ki namiguje na stroge uredniške standarde in poseben pristop k jeziku. Obstaja tudi možnost, da avtorji oddajo svoja gradiva prek Smernic za oddajo.

Kontaktne informacije

Povezave za komunikacijo in sodelovanje so na voljo na spletnem mestu:

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• Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary
• The Last Airbender: The Most (Incomplete) Fantastic Journey
• Family Matters: Shared Space in the Films of Cédric Klapisch
• “If this doesn’t get ’em, nothing will”: Busby Berkeley and
• A Film Divided Against Itself: D. W. Griffith’s
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• Exchange and Virulent Sacrality in Robert Bresson’s
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• Kathryn Bigelow’s
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• Jane Palmer’s Gentle Anarchy:
• Screwball Comedy
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• The Deconstruction of Middle-Class Identity in
• Capitalism
• https://brightlightsfilm.com/the-deconstruction-of-middle-class-identity-in-planes-trains-and-automobiles/#respond#disqus_thread
• Predicting the Rise of Trump:
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• Batman
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• The Work That Never Leaves: Labor as a Parasitic Presence in
• Brazilian Cinema
• Labor
• https://brightlightsfilm.com/the-work-that-never-leaves-labor-as-a-parasitic-presence-in-hard-work/#respond#disqus_thread
• Closing with the Past: Marco Bellocchio’s Cinema and the Movement of History
• Italian Cinema
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• The Invisible Thread: Or How
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• “Was That Over the Top?” – Queerness and Madness in
• https://brightlightsfilm.com/was-that-over-the-top-queerness-and-madness-in-batman-forever-1995/#respond#disqus_thread
• The Kubrick Production: How Stanley Kubrick Stage-Managed Reality
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• Peckinpah’s Groundless Ground of Ethics in
• Men & Masculinity
• https://brightlightsfilm.com/peckinpahs-groundless-ground-of-ethics-in-the-wild-bunch/#respond#disqus_thread
• https://brightlightsfilm.com/threes-a-crowd-harry-langdon-and-the-poetics-of-fragility/
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• https://brightlightsfilm.com/one-battle-after-another-on-the-movie-the-critics-and-the-moment/
• Urban Conflict
• https://brightlightsfilm.com/one-battle-after-another-on-the-movie-the-critics-and-the-moment/#respond#disqus_thread
• Christian Culture in Scandinavian Cinema: On Dreyer, Bergman, and Dogme 95
• Christianity
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• https://brightlightsfilm.com/trigger-warning-or-how-jessica-alba-stopped-worrying-and-learned-to-love-woke-imperialism/
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• The (Re)Turn: Vicious Retooling of Teenager Archetypes in the
• Surrealism
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• Postcolonial Melancholia in David Lean’s
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• https://brightlightsfilm.com/postcolonial-melancholia-in-david-leans-brief-encounter/#respond#disqus_thread
• Notes on
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