brightlightsfilm.com

Projekti kohta

Bright Lights Film Journal on veebiväljaanne, mis on spetsialiseerunud filmide arvustustele ja süvaanalüüsidele. Projekt positsioneerib end ressursina neile, kes on huvitatud nii kaasaegsetest uudistest kui ka maailma kino klassikast. Saidi loosung räägib otseselt selle missioonist: poparvustused ja põhjalikud analüüsid praeguste ja klassikaliste filmide kohta kogu maailmast. See pole lihtsalt uudisvoog, vaid koht, kus filme analüüsitakse erinevate nurkade alt.

Sait on olnud juba pikka aega; see on võrgus olnud alates 1996. aastast. Väljaandel on oma ISSN (0147-4049), mis kinnitab selle staatust tavalise trüki- või digiväljaandena. Disaini ja visuaali üle valvab kunstnik Jim McDermott ning tehnilise poole eest hoolitseb projektoreid ja ekraane pakkuv BSA Shop.

Peamised juhised

Saidi sisu hõlmab paljusid teemasid, kuid fookus jääb alati kinokunstile. Navigatsioon tõstab selgelt esile sektori erinevatele rollidele pühendatud jaotised:

• Filmiinimesed:intervjuud režissööride, näitlejate, operaatorite, heliloojate, toimetajate ja kriitikutega. Eraldi on esile tõstetud visuaalkunstnikud.
• Filmianalüüs:uute väljaannete ülevaated, arutelud DVD ja Blu-ray üle, uudised festivalidelt ja auhindadest.
• Ajalugu ja arhiiv:seal on rubriik Väljaannete arhiiv (numbrite arhiiv) ja kinoajaloo materjalid, sh vanade esseede kordustrükk.

Viimased väljaanded näitavad tähelepanu keerulistele teemadele. Näiteks käsitletakse Boromczyki loomingut, mida kriitikud sageli väldivad selle ebatüüpilisuse tõttu kaasaegsetes taaselustustes. Seal on klassikute analüüsid: Charlie Chaplin, Sam Peckinpah, Ingmar Bergman, Carl Theodor Dreyer. Autorid analüüsivad mitte ainult süžeed, vaid filmides tõstatatud ideoloogiat, moraali ja sotsiaalseid probleeme – fašismist kapitalismi kriisini.

Saidi funktsioonid

Bright Lights Film Journali peamine omadus on selle keelekümblussügavus. Artiklid on sageli esseed või väljavõtted raamatutest, nagu näiteks Joseph McBride'i toimetatud uus Vision Persistence of Vision: A Collection of Film Criticism. See eristab projekti tavalistest lühikeste ülevaadetega ajaveebidest.

Sait ei karda vastuolulisi teemasid. Tekstid sisaldavad teravaid väiteid poliitika, rassismi, soolise identiteedi ja ettevõtte kultuuri kohta. Näiteks ühes artiklis vaadeldakse filmi kui raha ja vabaturu peremehe kriitikat, teises aga analüüsitakse õuduses kurjuse struktuuri kui süsteemset probleemi, mitte lihtsalt koletise kohalolekut.

Huvitaval kombel on saidil jaotis Keelatud sõnad, mis vihjab rangetele toimetusstandarditele ja spetsiifilisele lähenemisele keelele. Samuti on autoritel võimalus esitada oma materjale esitamisjuhiste kaudu.

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Lingid suhtlemiseks ja koostööks on saadaval saidil:

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• The Work That Never Leaves: Labor as a Parasitic Presence in
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• Closing with the Past: Marco Bellocchio’s Cinema and the Movement of History
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• The Kubrick Production: How Stanley Kubrick Stage-Managed Reality
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