brightlightsfilm.com

Om prosjektet

Bright Lights Film Journal er en nettpublikasjon som spesialiserer seg på anmeldelser og dybdeanalyse av filmer. Prosjektet posisjonerer seg som en ressurs for de som er interessert i både moderne nyheter og klassikere fra verdens kino. Nettstedets slagord taler direkte til oppdraget: Popanmeldelser og dybdeanalyser av aktuelle og klassiske filmer fra hele verden. Dette er ikke bare en nyhetsstrøm, men et sted hvor filmer analyseres fra ulike vinkler.

Nettstedet har eksistert i lang tid; den har vært online siden 1996. Publikasjonen har sitt eget ISSN (0147-4049), som bekrefter statusen som en vanlig trykt eller digital publikasjon. Designet og det visuelle er overvåket av kunstneren Jim McDermott, og den tekniske siden er levert av BSA Shop, som tilbyr projektorer og skjermer.

Hovedretninger

Nettstedets innhold dekker et bredt spekter av emner, men fokuset forblir alltid på kinokunsten. Navigasjonen fremhever tydelig seksjoner dedikert til forskjellige roller i bransjen:

• Filmfolk:Intervjuer med regissører, skuespillere, kinematografer, komponister, klippere og kritikere. Billedkunstnere er fremhevet separat.
• Filmanalyse:anmeldelser av nye utgivelser, diskusjoner om DVD og Blu-ray, nyheter fra festivaler og priser.
• Historie og arkiver:det er en seksjon Utgavearkiv (utgavearkiv) og materiale om kinohistorien, inkludert opptrykk av gamle essays.

Nylige publikasjoner viser oppmerksomhet til komplekse emner. For eksempel diskuteres arbeidet til Boromczyk, ofte unngått av kritikere på grunn av at det er atypisk i moderne vekkelser. Det er analyser av klassikerne: Charlie Chaplin, Sam Peckinpah, Ingmar Bergman, Carl Theodor Dreyer. Forfatterne analyserer ikke bare handlingen, men ideologien, moralen og sosiale problemer som tas opp i filmene – fra fascisme til kapitalismens krise.

Nettstedsfunksjoner

Hovedtrekket til Bright Lights Film Journal er dybden av fordypning. Artiklene er ofte essays eller utdrag fra bøker, for eksempel den nye Persistence of Vision: A Collection of Film Criticism, redigert av Joseph McBride. Dette skiller prosjektet fra vanlige blogger med korte omtaler.

Nettstedet er ikke redd for kontroversielle emner. Tekstene inneholder skarpe utsagn om politikk, rasisme, kjønnsidentitet og bedriftskultur. For eksempel undersøker en artikkel filmen som en kritikk av penger og mesterfaren i det frie markedet, mens en annen analyserer strukturen til ondskap i skrekk som et systemisk problem snarere enn bare tilstedeværelsen av et monster.

Interessant nok har nettstedet en seksjon for forbudte ord, som tipser om strenge redaksjonelle standarder og en spesifikk tilnærming til språk. Det er også mulighet for forfattere til å sende inn materialet gjennom innleveringsretningslinjer.

Kontaktinformasjon

Lenker for kommunikasjon og samarbeid er tilgjengelig på siden:

• Personal:informasjon om teamet.
• Kontakt:skjema eller data for kontakt.
• Annonser med BLFJ:annonseringsbetingelser.
• Retningslinjer for innsending:regler for innsending av materiale.

E-postadresse eller telefonnummer er ikke angitt i teksten, kun navigasjonslenker.

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• Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary
• The Last Airbender: The Most (Incomplete) Fantastic Journey
• Family Matters: Shared Space in the Films of Cédric Klapisch
• “If this doesn’t get ’em, nothing will”: Busby Berkeley and
• A Film Divided Against Itself: D. W. Griffith’s
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• Sacred Without Symbol: Walerian Borowczyk and the Canon’s Fear of the Erotic
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• https://brightlightsfilm.com/family-matters-shared-space-in-the-films-of-cedric-klapisch/#respond#disqus_thread
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• Exchange and Virulent Sacrality in Robert Bresson’s
• Class System
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• Kathryn Bigelow’s
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• Jane Palmer’s Gentle Anarchy:
• Screwball Comedy
• https://brightlightsfilm.com/jane-palmers-gentle-anarchy-lady-in-a-jam-1942-and-the-lost-liberty-of-screwball-comedy/#respond#disqus_thread
• The Deconstruction of Middle-Class Identity in
• Capitalism
• https://brightlightsfilm.com/the-deconstruction-of-middle-class-identity-in-planes-trains-and-automobiles/#respond#disqus_thread
• Predicting the Rise of Trump:
• Essays
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• https://brightlightsfilm.com/predicting-the-rise-of-trump-captain-america-civil-war-2016/#respond#disqus_thread
• Batman
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• https://brightlightsfilm.com/batman-reserves-burtons-sequel-as-anti-fed-allegory/#respond#disqus_thread
• The Work That Never Leaves: Labor as a Parasitic Presence in
• Brazilian Cinema
• Labor
• https://brightlightsfilm.com/the-work-that-never-leaves-labor-as-a-parasitic-presence-in-hard-work/#respond#disqus_thread
• Closing with the Past: Marco Bellocchio’s Cinema and the Movement of History
• Italian Cinema
• https://brightlightsfilm.com/closing-with-the-past-marco-bellocchios-cinema-and-the-movement-of-history/#respond#disqus_thread
• The Invisible Thread: Or How
• Mystery
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• “Was That Over the Top?” – Queerness and Madness in
• https://brightlightsfilm.com/was-that-over-the-top-queerness-and-madness-in-batman-forever-1995/#respond#disqus_thread
• The Kubrick Production: How Stanley Kubrick Stage-Managed Reality
• Cult Cinema
• https://brightlightsfilm.com/the-kubrick-production-how-stanley-kubrick-stage-managed-reality/#respond#disqus_thread
• Peckinpah’s Groundless Ground of Ethics in
• Men & Masculinity
• https://brightlightsfilm.com/peckinpahs-groundless-ground-of-ethics-in-the-wild-bunch/#respond#disqus_thread
• https://brightlightsfilm.com/threes-a-crowd-harry-langdon-and-the-poetics-of-fragility/
• Comics
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• https://brightlightsfilm.com/one-battle-after-another-on-the-movie-the-critics-and-the-moment/
• Urban Conflict
• https://brightlightsfilm.com/one-battle-after-another-on-the-movie-the-critics-and-the-moment/#respond#disqus_thread
• Christian Culture in Scandinavian Cinema: On Dreyer, Bergman, and Dogme 95
• Christianity
• Religion & Spirituality
• Scandinavian Cinema
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• https://brightlightsfilm.com/trigger-warning-or-how-jessica-alba-stopped-worrying-and-learned-to-love-woke-imperialism/
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• The (Re)Turn: Vicious Retooling of Teenager Archetypes in the
• Surrealism
• https://brightlightsfilm.com/the-return-vicious-retooling-of-teenager-archetypes-in-the-twin-peaks-revival/#respond#disqus_thread
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• India
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• Postcolonial Melancholia in David Lean’s
• Colonialism
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• Melodrama
• https://brightlightsfilm.com/postcolonial-melancholia-in-david-leans-brief-encounter/#respond#disqus_thread
• Notes on
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