brightlightsfilm.com

O projektu

Bright Lights Film Journal je online publikacija specijalizirana za recenzije i dubinsku analizu filmova. Projekt se pozicionira kao izvor za one koje zanimaju i moderne vijesti i klasici svjetskog filma. Slogan stranice izravno govori o njezinoj misiji: Pop kritike i dubinske analize aktualnih i klasičnih filmova iz cijeloga svijeta. Ovo nije samo news feed, već mjesto gdje se filmovi analiziraju iz različitih kutova.

Stranica postoji već duže vrijeme; postoji od 1996. Publikacija ima svoj ISSN (0147-4049), čime potvrđuje status obične tiskane ili digitalne publikacije. Za dizajn i vizuale brine se umjetnik Jim McDermott, a za tehničku stranu zadužen je BSA Shop koji nudi projektore i platna.

Glavne smjernice

Sadržaj stranice pokriva širok raspon tema, ali fokus uvijek ostaje na kinematografskoj umjetnosti. Navigacija jasno ističe odjeljke posvećene različitim ulogama u industriji:

• Filmski ljudi:Intervjui s redateljima, glumcima, snimateljima, skladateljima, montažerima i kritičarima. Likovni umjetnici posebno su istaknuti.
• Analiza filma:recenzije novih izdanja, rasprave o DVD-u i Blu-rayu, vijesti s festivala i nagrade.
• Povijest i arhiva:postoji odjeljak Arhiva brojeva (arhiva brojeva) i materijali o povijesti kinematografije, uključujući reprinte starih eseja.

Nedavne publikacije pokazuju pozornost složenim temama. Primjerice, raspravlja se o djelu Boromczyka, kojega kritičari često izbjegavaju zbog netipičnosti u modernim obnovama. Tu su analize klasika: Charlie Chaplin, Sam Peckinpah, Ingmar Bergman, Carl Theodor Dreyer. Autori ne analiziraju samo radnju, već i ideologiju, moral i društvene probleme koji se u filmovima postavljaju - od fašizma do krize kapitalizma.

Značajke stranice

Glavna značajka Bright Lights Film Journala je njegova dubina uranjanja. Članci su često eseji ili ulomci iz knjiga, poput nove Persistence of Vision: Zbirka filmskih kritika, koju je uredio Joseph McBride. To razlikuje projekt od običnih blogova s ​​kratkim recenzijama.

Site se ne boji kontroverznih tema. Tekstovi sadrže oštre izjave o politici, rasizmu, rodnom identitetu i korporativnoj kulturi. Na primjer, jedan članak ispituje film kao kritiku novca i glavnog oca na slobodnom tržištu, dok drugi analizira strukturu zla u hororu kao sistemski problem, a ne jednostavno prisutnost čudovišta.

Zanimljivo, stranica ima odjeljak Zabranjene riječi, koji upućuje na stroge uredničke standarde i specifičan pristup jeziku. Također postoji mogućnost da autori predaju svoje materijale putem Smjernica za prijavu.

Kontakt podaci

Linkovi za komunikaciju i suradnju dostupni su na stranici:

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• Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary
• The Last Airbender: The Most (Incomplete) Fantastic Journey
• Family Matters: Shared Space in the Films of Cédric Klapisch
• “If this doesn’t get ’em, nothing will”: Busby Berkeley and
• A Film Divided Against Itself: D. W. Griffith’s
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• Screwball Comedy
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• The Deconstruction of Middle-Class Identity in
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• Predicting the Rise of Trump:
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• The Work That Never Leaves: Labor as a Parasitic Presence in
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• Closing with the Past: Marco Bellocchio’s Cinema and the Movement of History
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• The Invisible Thread: Or How
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• “Was That Over the Top?” – Queerness and Madness in
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• The Kubrick Production: How Stanley Kubrick Stage-Managed Reality
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• Peckinpah’s Groundless Ground of Ethics in
• Men & Masculinity
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• Urban Conflict
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• Christian Culture in Scandinavian Cinema: On Dreyer, Bergman, and Dogme 95
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• The (Re)Turn: Vicious Retooling of Teenager Archetypes in the
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• Postcolonial Melancholia in David Lean’s
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